臨時 — the elevated temporary
We curate impermanence. Pop‑up institutions, transient architectures, and ceremonial interruptions — rendered with the gravity of permanence and the grace of vanishing.
A pavilion that lasts a fortnight rehearses the entire vocabulary of a building — ground, threshold, light, dispersal — without requiring the audience to live with its mistakes. The temporary is not a draft. It is a complete sentence delivered at the speed of a breath.
We treat each of these utterances as a luxury good: tailored, numbered, witnessed by a small crowd, and remembered by everyone who was there.
A flowering tree is more beautiful for not staying. The same is true of a market that appears for one season at the river bend, of a corridor of paper lanterns lit for three nights, of an embassy that keeps office hours only between solstices.
Our practice is to plan the disappearance with the same care as the arrival — so the negative space left behind is the quietest, loveliest part of the work.
Live indicators of the rinji portfolio — expressive metrics for ephemeral systems, refreshed every 8s.