licensor.directory

Volume IX · Folio the second · Compiled by hand, corrected by post.

Plate I · Brass holder, beeswax, marbled paper. Photographed once, 1971.

This volume is what remains of a longer work begun in winter, 1971, by a single archivist whose name does not survive the binding. It catalogues those persons and institutions through whom permission to reproduce, perform, sample, set in type, or otherwise extend a piece of recorded culture must pass. The directory is incomplete by design—a finished directory of licensors is a contradiction—and is corrected only by correspondence. Entries are admitted on evidence; rumours are tabled. Where a licensor's terms have changed since the most recent letter, the entry is marked with a dagger†.

The reader will find six sections, lettered A through F, organized not alphabetically by licensor but topographically by the kind of right held: the recorded performance, the photographic image, the lettered face, the patented mechanism, the proprietary molecule, the public-domain adjacency. Within each section, entries are set in the order in which they entered the ledger. New entries displace nothing; the old register stands. Errors are inevitable; corrections welcomed by post.

Compiler's note, recopied from the original endpaper, August 1989. The hand is not the original archivist's; the ink is the same.

Every recorded sound, every photograph reproduced, every typeface set, every patented mechanism, every public-domain folk song re-arranged for hire—somewhere, a person or institution holds the right to permit or refuse its use. This directory does not adjudicate those rights. It only locates the ones who do.

❦ from the dedication, vol. I, 1973 ❧

  1. Harry Fox Agency, Inc.Mechanical licenses, U.S. compositions; statutory rate or negotiated. Correspondence only. [ASCAP-1981.07]
  2. Tro · Essex Music GroupFolk and theatrical catalogues; Guthrie, Seeger estates by way of separate covenant. [Polk's NYC, 1962]
  3. Edition Wilhelm HansenNielsen, Sibelius (in part), and Northern European serial repertoire. Copenhagen office only.
  4. Stim · Svenska TonsättaresMechanical & performance, Swedish repertoire. Sample clearance referred to NCB. [NCB-1979.11]
  5. Sub Pop PublishingCatalogue 1988–1996, fixed-fee buyouts for film and short-form. †
  6. Editions SalabertMessiaen, Boulez (early), Varese estate. Letter of intent required.
  7. G. Ricordi & C., MilanoOperatic and verismo repertoire; Puccini through Respighi. Italian-language correspondence preferred.
  8. Sample Clearance Ltd.Independent broker; works on percentage. One-line italic note: typical fee 18–42%. [trade letter, 1994]
Plate II · Carbon-copy contracts, bound with red string. Folio recovered, 1986.
  1. Magnum Photos, Paris & New YorkCooperative; member-by-member clearance for editorial and commercial. [Magnum bull., 1976]
  2. Hulton Archive (now Getty)UK historical reportage; Picture Post, Keystone, Topical Press. Reproduction fees on a sliding folio.
  3. Bibliothèque nationale de France · EstampesEngravings, daguerreotypes; reproduction by formal request, 6–10 weeks.
  4. VAGA · Visual Artists & Galleries Assn.U.S. fine-art reproduction rights; Rothko estate, Pollock estate (per separate trust).
  5. DACS, LondonUK artists' visual reproduction; secondary licensing collected by post and bank draft. †
  6. Black Star, New YorkPhotojournalism archive 1935–present; Berlin office closed 1991, files transferred.
  7. Roger-Viollet, ParisIconographic agency since 1938; sepia stock and Vichy-era reportage. [Paris dir., 1971]
  1. Monotype ImagingLibrary inheritor of Berthold, Linotype, ITC, Ascender. Per-seat and per-impression terms. [ATypI-1995]
  2. Hoefler & Co.Display and text revivals; Mercury, Whitney, HTF Didot. Direct-to-customer.
  3. Klingspor-Museum, OffenbachHistoric German foundry archive; Koch, Tiemann punch matrices. Reproduction by curatorial visit.
  4. House Industries, Yorklyn DELettering and signage; Neutraface, Eames-licensed faces.
  5. Fundición Tipográfica BauerSpanish foundry, dormant 1971–present; rights administered by heirs. †
  6. P22 / LanstonGoudy, Cooper, Bauhaus revivals; ornament catalogues. [P22 cat., 1998]
  7. Storm Type Foundry, PrahaCzech revivals; Jannon, Walbaum, Renner. Single-style and family rates.
  8. Letterform Archive (San Francisco)Reproduction of holdings by application; printed specimen by request only. [LfA-2018.04]
  1. Battelle Memorial InstituteProcess patents inherited from Xerox photocopying chain (1944–). Industrial inquiries via Columbus office.
  2. SRI International, Menlo ParkPattern-recognition, ergonomics, early HCI patents. [SRI-1972.03]
  3. CSIRO AustraliaWireless networking process royalties; chip-level licensors only.
  4. Fraunhofer-GesellschaftMP3, AAC, and successor codec licensing through MPEG-LA. †
  5. RAND CorporationOperations-research method patents; consultative licensing only. Non-public terms.
  6. Xerox PARC, alumni custodiansBitmap, Smalltalk, mouse-related early patents (largely expired); historical reference only. [PARC tech rep., 1981]
  7. Bell Labs Royalty OfficeTransistor-era patents long since expired; software-process patents administered by Nokia successor.
  1. Cipla Ltd., MumbaiGeneric ARV manufacturer; voluntary-licence holder, several molecules. [MPP-2011]
  2. Hetero DrugsGeneric API supply; molecule schedule available by request to compliance officer.
  3. Medicines Patent Pool, GenevaVoluntary-licence pool for low- and middle-income markets; HIV, HCV, COVID molecules.
  4. ATCC, Manassas VACell lines, microbial reference strains; biomaterial transfer agreements (MTA) standard.
  5. Coriell InstituteHeritable cell lines; access governed by NIGMS guidelines. †
  6. European Collection of Authenticated Cell CulturesUK Health Security Agency biorepository; academic and commercial schedules differ. [ECACC cat., 2003]
Plate III · Composing stick, hand-set 12pt. Photographed in candlelight, 1979.
  1. Topic Records / EFDSS LibraryEnglish folk-revival archive; Cecil Sharp House catalogue. [EFDSS-1968]
  2. Smithsonian FolkwaysRe-arrangement clearance and field-recording reproduction; non-profit terms.
  3. Alan Lomax ArchiveField recordings, 1935–1995; reproduction fee tabled by region.
  4. Ocora · Radio FranceWorld-music field recordings, French national broadcaster custody.
  5. Public Domain Information ProjectVolunteer compilers verify lapse of copyright; not a licensor, but indispensable for adjacent diligence.
  6. Ethnic Folkways Library, NYSuccessor rights administered jointly with Folkways; correspondence preferred. †