bada·casa

Vol. 04 — Tideline Folio

바다

The sea as remembered, not photographed. A folio of plates, notes, and fragments — gathered like flotsam at high tide.

No. 017 · Week 17 · 2026

Browse by tide —
12 entries
Plate · 01

Concentric, after rain

Six rings drawn at low tide, the outermost dashed where the wave forgot itself.

Ink on paper salt · 1.25 px
Note · 14

On the tideline as interface

Content does not arrive in uniform waves. It drifts in staggered bands — the way flotsam gathers where two currents meet, not where you expect.

Essay · 4 min
Fragment
The sea refuses to repeat itself, but never forgets the shape of the shore.
— Marginalia, p. 47
Plate · 02

Nested semicircles

A specimen drawn from memory; its hinge slightly off-true.

Geometry · Compass · Ruling pen
Chart · 03

Horizon stack, four readings

Sunset altitudes recorded over four evenings. Lines descend; the eye follows.

Cartography · Vignette
Log · 027

Walked east of the breakwater

Three cormorants, one fishing net, the smell of brine and diesel. Fog by 4 p.m.

Field log · 200 words
Plate · 03

Triangle-fan, four registers

An attempt to record swell without recording water.

Plate · Geometry
Note · 13

Albers in the fishing village

Hard primitives — circle, semicircle, arc, chevron — composed with deliberate asymmetry. No hand drawing. The ruling pen does the remembering for us.

Essay · 6 min
Fragment
기억된 바다 — 사진이 아닌, 떠오르는 것.
Korean · Pretendard cut
Plate · 04

Crosshatched rosette

Navigational, ornamental — the compass remembers itself.

Plate · Cartographic
Chart · 04

Arc readings, weekly

Three nested arcs, one for each tide observed at sunrise.

Tide table · Generative
Log · 026

Chevrons, found in sand

Wind-drawn marks at the tide's high reach; gone by noon.

Walking log

Plates · selected

Eight figures · series II

Fig. 01 · Fan, dawn

Fig. 02 · Six rings

Fig. 03 · Hinge

Fig. 04 · Horizon

Fig. 05 · Rosette

Fig. 06 · Swell

Notes & longer drifts

Essays · 65ch column

Essay · 14

On the tideline as interface

The shore is not a line — it is a duration. The sea writes and rewrites it daily, and our reading of it is necessarily late. To design a tideline is to design a record of what was, displaced by what is.

Continue reading

Essay · 13

Albers in the fishing village

A small village school of color and form: chevron and arc, semicircle and ring. The instruments are honest — compass, ruler, ruling pen — and they refuse to flatter the hand.

Continue reading

Essay · 12

바다, remembered weekly

The site refreshes its arrangement once each ISO week. Returning visitors find a familiar room re-furnished — the same plates, but hung differently, like a tide that knows its shore.

Continue reading

Colophon

Index · credits

Typography

  • Display — Futura Geometric
  • Body — Inter (Futura subst.)
  • Editorial — Cormorant Garamond
  • Hangul — Pretendard / Space

Palette

  • Paper Salt
  • Deep Tide
  • Driftwood
  • Seafoam Dust
  • Coral Memory
  • Sun-bleached

Credits

  • Edited & drawn — bada.casa
  • Set in Futura · Cormorant
  • Printed — static, edge-cached
  • Generative seed — ISO week
  • No analytics on launch

— end of folio · 바다 · vol. 04 —