Carlton
An ode to Sottsass — bookshelves shaped like dancing robots, columns wearing polka-dot pants, and shelves that refuse to be horizontal.
A bar where the furniture was designed by a geometry teacher who discovered LSD. Welcome to the broken-grid party.
Content does not live in rectangles here. It lives inside circles, triangles, and irregular polygons that lean into the wind.
An ode to Sottsass — bookshelves shaped like dancing robots, columns wearing polka-dot pants, and shelves that refuse to be horizontal.
Riotous fabric prints, zigzags on zigzags, terrazzo confetti splashed across surfaces like sprinkles on a misbehaving sundae.
The squiggle pattern that swallowed the 80s. We honor every overdesigned laminate and every "wrong" color combo that made everything right.
Pink flamingo lamps, tilted shades, geometry teachers on tropical holidays — the lampshade as Mondrian, the table as confetti cannon.
The dressing table as monument. A mirror flanked by yellow light bulbs and a cartoon palace of pastel laminate. Glamorous? Tacky? Yes.
A bookshelf that became a building, a building that became a personality. We make sites that won't fit on a 1440px Figma frame either.
Six small projects, each louder than the last. Click any one to fire confetti — that's the only review system we trust.
The grid is a costume, not a cage. We wear it inside-out and back-to-front.
If two colors are arguing, invite a third one to keep the fight interesting.
Every rectangle is begging to become a polygon. We answer that prayer.
Whitespace is fine; striped, dotted, terrazzo-confetti space is finer.
If you cannot smile at a webpage, the webpage has failed you.
Tell us about your project, your favorite Memphis Group object, and one color you've been told never to combine. We will combine it.