The reader will recall that a soap film is two interfaces separated by a vanishingly thin core of liquid. The two interfaces are not, despite appearances, the film itself; the film is the conversation between them. Each surfactant molecule sits with its hydrophilic head dipped into the water and its hydrophobic tail combed outward into the air, like ferns leaning toward a window.
When the lamella is at rest, gravity pulls liquid downward through the core, thinning the top and bottoshing the bottom. The thinning continues — slowly, then suddenly — until interference colours appear, then a black film, then nothing. See footnote1.
To stabilise the film against gravity is therefore to slow the conversation between its two faces. Three mechanisms are commonly enlisted: surface viscosity, the Marangoni effect, and the imposition of a static charge across the layer. We will, in this issue, treat only the second.